For Stan, Ollie, their wives and of course the gout-ridden Uncle Edgar Kennedy, this was far from a perfect day. Yet, all of the film's ingredients and especially the talent on display make the film almost the perfect comedy. Indeed Glenn Mitchell in his 'Laurel & Hardy Encyclopedia' describes 'Perfect Day' as one of the … Continue reading 39. Perfect Day (1929)
This is such an interesting little film. Laurel & Hardy's very first talking picture, 'Unaccustomed As We Are' is a truly historic and pivotal moment in the boys' career and one can only wonder at the anxieties Mr. Laurel and Mr. Hardy must have felt leading up to the filming and ultimately the release of … Continue reading 35. Unaccustomed As We Are (1929)
Our last blog focused on the wonderful 1929 short 'Angora Love'. As well as being a typically funny Laurel & Hardy comedy, it's also a very significant film in Stan & Ollie's canon, as it has the distinction of being the very last silent film they ever made together (with the exception of 'The Tree … Continue reading Tipping the hat to Laurel & Hardy’s Silent Shorts (1921 – 1929)
Well, this is it! Laurel & Hardy's farewell to silent pictures. The end of an era, their last of a dying breed. If you've joined us on the Blog's journey so far, or independently actually sat and watched each film in order (the order that they were made, not released), I hope you've gotten as … Continue reading 34. Angora Love (1929)
What's the one thing a die-hard Laurel & Hardy fan wants more than anything? Well, arguably its to find a Hal Roach era film that they've never seen before. It's the Holy Grail. To most fans, finding a copy of 'Hat's Off' (1927) or the boys' remaining missing sequences from The Rogue Song (1930) are … Continue reading 33. Bacon Grabbers (1929)
'Two Tars' is a spectacular return to form for Laurel & Hardy - and thank goodness for that! This is exactly what was required following the confusing and, without wanting to sound melodramatic, traumatic experience of watching the boys' previous film 'Early to Bed' (see the blog for details). What a relief to read the … Continue reading 25. Two Tars (1928)
Filmed during the Spring of 1928, the opening scene of 'Should Married Men Go Home?' is one in contrast to reality. Here we see a picture of domestic bliss, as Ollie and his wife (played by Kay Deslys, returning for a second film in a row) sit cuddling on the sofa, yet behind closed doors … Continue reading 23. Should Married Men Go Home? (1928)
